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A man of not many words who would come and stay with us three or four times a year always carrying this Adidas holdall containing a dark wooden box. That turned out to be his WW1 footlocker and contained all of the important things in his life, his letters from my Gran and from lots of ladies who wrote to him during the war, well before Flora came on the scene I must add.

Also his demob papers, other essential documents, 5 gold sovereigns one each for my dad, his sister, me, my brother and my mother , three pocket watches, his medals, whole sets of Woodbine cigarette cards and lots of other things including a small piece of solid gold that an uncle had sent back from the Klondike.

I found out what was in the box along with my brother when he sat us down the day before he was going home on his final stay with us. He went through the contents, telling us about various pieces and who was to get what when he was gone. Two months later he died, he was 93 years old. My dad said that he had just had enough, all his friends and peers already having departed this existence. I was affronted that my grandfather was there to witness this, finding it very difficult to look him in the eye.

James Little was born in Hamilton on the 2nd December and did not have the easiest start in life. All of the resentment and unkindness of the woman he thought of as his mother now fell into place. He lied about his age, forged the papers like father like son and so he found himself in Burma at the beginning of , seventeen with a distinct dislike of authority. From all of my time spent talking to him about the war, as unlike Andrew Wingate, he talked about it, not in any glorified way but with disdain and a bit of regret, I get the impression that he fought a war on two fronts, one naturally enough against the Japanese but an equally fierce one with the officer classes of his own side, often finding himself on a charge and punishment and the main reason I suspect he remained a private.

He also survived his conflict, unscathed or so he thought, he had respiratory problems from then on requiring the removal of a lung in the s which did not hinder him in trying to smoke himself to death with 40 Benson and Hedges a day.

Like my grandfather Jimmy went into the steel works, where he put his wits to good use becoming a union rep, then shop steward, making appearances at the TUC Conference and an article in the Hamilton Advertiser after one speech on the podium hinting at a prospective political career and prior to his retiring ending up foundry supervisor in the Clyde Alloy.

Jimmy became a huge influence on me, from the early days when he used to phone up kidding on he was John Wayne at Christmas and on birthdays to giving me Animal Farm and The Ragged Trousered Philanthropists at the age of 13 to read then discussing the books with me after I had finished reading them. Ironic that the man who would most certainly have died had the Americans not dropped the atom bombs on Japan went to support me but that was him.

So for these two men and for their cousins, friends and comrades, the ones not fortunate enough to survive, every Armistice day I stop and remember. Everybody says that we should remember the fallen and yes we should do but we should also remember the ones that came back, most of whom would have been damaged by their experiences in ways we cannot comprehend but were able to keep on functioning, get married, have families and help rebuild this country, twice.

I have always made a donation and bought one but never felt I needed to wear it to show my respect. However I do not sneer at those that do as most do it for the right reasons and I will leave that there, I could go on about the high-jacking of the act of Remembrance but that discussion is for another day. I once saw Eric Bogle live, in a community hall in Biggar on one of his infrequent returns to these shores and he put us through the emotional ringer but by god was it good.

Wake up very tired thanks to a combination of four days of long walks, train journeys and a far higher than usual consumption of alcohol. Rachel aka Mrs VV has had to deal with a lot of things these past few days, not least trying to progress some major repairs to the property we have called home these past 27 years.

In particular, we need a new roof…. My gift of a Jarv Is t-shirt from the gig seems wholly inadequate. The paperwork is signed off and the timetable of initial patchworking will get underway soon, but the main contract not delivered until May The roofing company is swamped with work just now, unable to keep up with demand.

I hate chaos….. I vow to keep it as a quiet night, home early and sober. I fail miserably on all counts, but attach the blame entirely on the other folk at my table. Almost a full three years after the last one, Glasgow Little League is taking place from 7.

Those of you who have been familiar with this blog for many years will be aware of how much the Little League events mean to me. They are organised by John Hunt , lead singer of Butcher Boy. They are the successor to events he first organised in under the guise of National Pop League , and indeed the event on Saturday 6 November is being arranged to mark the 20th Anniversary of the first NPL. I would normally have joined her, but I was exhausted from overdoing things these past few days.

There was also the fact of so many people getting together again after such a very long time…would we have the energy or inclination to actually dance, or would we be a wee bit self-aware and worry about the dangers still inherent of mingling and tingling. My fears were misplaced, and perhaps the best summary of the night comes from this Facebook message on the group page the following morning It was such a joyful experience, great to see so many friends and familiar faces and everyone looked so happy.

Thanks for bringing all three together. It kind of captures all that is great about Little League, with folk just really enjoying themselves in so may ways. It should have been a day of rest and recuperation, but there was one final outstanding thing to look forward to, and that was the very first Titwood City Limits event.

Titwood is a residential area on the south side of Glasgow, and at the centre of it is a bowling club and pavilion, dating back to Basil lives very close to the club and indeed, during the COVID lockdown and subsequent restrictions, became a member. It was a deliberately low-key opening, with not much in the way of publicity. I can see me becoming a regular at Titwood City Limits. There are far worse ways to spend Sunday afternoons. The heavy rains of the previous five days have brought flooding to various parts of the UK, and many delegates have trouble getting here on time, and as scheduled, if they had been relying on the green method getting here by train, with cancellations and delays.

This means connections are missed, and I arrive almost two hours later than anticipated. Up bright and early to get out and about in Manchester to take in some of the many physical changes to one of my favourite cities on the planet since my last visit here, some five or six years ago. The pubs are great, but so too is the walking, again taking in so much of what makes Manchester a fascinating place to visit, even if the scale of a number of the new buildings feels on the overwhelming side.

It is still pleasing to see that much of the old is still in place. Tuesday night was scheduled to be a quiet one until we discover that Jarv Is are in town on the opening night of a rescheduled UK tour and that a small number of tickets are available.

Without going into too much detail, the show really does live up to expectations, with the bonus of finding ourselves in a venue which instantly becomes a favourite in terms of offering great and close up views of the stage. See the first 50 artefacts from the official Factory catalogue, including creations from Joy Division, New Order and The Durutti Column, as well as graphic designs by Peter Saville, previously unseen items from the Factory archives, and objects loaned from the estates of both Tony Wilson and Rob Gretton.

Immerse yourself in the world of Factory Records and experience a night out like no other with our tribute to The Factory night at the Russell Club.

Just plug in and play—bring your own headphones and create your own unique versions of iconic tracks with our synthesizer and mixing desk. We stayed for well over two hours. It proved to be a very rewarding experience, enjoyable, educational and fascinating in equal measures. The only downside of this visit was that we ran out of time, before the museum closed, only getting ourselves around the two main exhibition areas and missing out on what looked like two superb temporary exhibitions.

Two experiences down, and one to go. The stroll back to the hotel was punctuated by a few stops at watering holes. After a quick change of clothes and footwear, it was round to a nearby location in the student area of the city for a meeting with the doyen of the Manchester scene, Adam , of Bagging Area fame. On a trip that provided so many highlights and wonderful experiences, this was right up there with the best of them.

Adam came to see us despite him having a very busy schedule, going out of his way to spend a few hours with us on an evening when he must have been tired from a long day doing his teaching and managerial work, and, without telling us until long afterwards, knowing he was in for a particularly long shift the following day with all sorts of post-teaching events and meetings. He really is one of the very good guys, and both myself and Aldo are proud to call him a friend.

More walking. More pubs. This time, we also threw in a visit out to the Etihad Campus to see for ourselves the extent of the development that had been undertaken by Manchester City FC. A lot of it is impressive, especially the sheer scale of it. It was sobering too, to think that the financial rewards of being a Rovers player over their entire career would probably match perhaps three months of the salary and endorsement deals of some of the individuals whose faces were plastered around the exterior of the Etihad.

Finally got home to Glasgow around 9. But I know neither will happen until well after the weekend, as Friday through Sunday is going to be busy. This is one of those songs where, no matter how hard I try, I can never come up with the words to do it justice. The only difficulty I have with it is trying to accept that it was released 35 years ago. Tom Doyle is an acclaimed music journalist, author, and long-standing contributor to Mojo and Q.

In , the Fall , a band who were 10 albums into their career, producing challenging, hall—of—mirrors post—punk, suddenly made a lurch for the dancefloor. For this most underground of bands, this seemed like a very conscious effort to go commercial. I always like it very clean and simple.

A lot of groups are swamped with sound. I was thinking of packing it in. I was gonna sell pool tables. It was a bit heavy for me that time. But then I got a bit of the old writing impetus and I carried on with it. She admitted that she felt that, in many ways, the Fall were undervalued and that she had designs on upping their commercial potential. I just thought they were such an important band and it needed to be broadcast all over the world.

Do you play bass? Even if their backgrounds were very different, Mark E Smith and Simon Rogers bonded quickly when the former invited the latter to come and stay with him in Prestwich to learn the basslines to the key Fall songs.

Lots of speed, lot of fags, lots of beer. We became pretty good mates and he stayed with me in London nearly all the time when he came down. But even after joining the Fall and touring extensively with the band, Rogers realised that his heart belonged in the studio, forcing him to choose to quit the live band and concentrate on recording.

We were just matey at the time. I think he trusted me as a musician to pull something together. So it was like having another useful band member. Meanwhile, Rogers laughs when remembering the moment he got to the end of his rope in his dealings with Smith.

I knew the track, I was a big Spinal Tap fan. So after a bit of pointless persuasion by me, they recorded it. But then I suppose a bass line in those days… That was kind of before the massive sampling trials. I like it. Simon Rogers was to go on to produce two more albums for the Fall, Code: Selfish in and The Infotainment Scan in , before he and Smith had an irreparable bust—up in a studio in Manchester.

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