Logic pro compatible download version 10.2.3

Added Plug-In Functions. Enhanced Mute Button Behavior. The Logic Pro X Eli begins with a video showing how to utilize one of the major enhancements of this update, the new automation nudge functions. He demonstrates how you can nudge automation horizontally and vertically by key command.

After that, Eli shows you how you can now non-destructively normalize gain on audio regions, either individually or in relation to selected audio regions. That leads into an explanation of new ways of working in Takes folders using the new Quick Swipe and edit click zones.

Eli then reveals the new enhancements in this update relating to working with the Tools menu in various windows. After that, Eli moves onto enhancements to the various plug-ins. First, he explores the Match EQ, which has an updated interface and a host of new workflow features. Next, he introduces a new plug-in, the Loudness Meter, which gives you numerous ways of monitoring the level of your source material. If you want to know what's new in Logic Pro X There are many things our users love about Groove3, but a couple always stand out at the top when asked why people choose us as their learning resource.

We meticulously craft professional quality tutorials that are thoughtful, informative and done with attention to detail. Our library brings over hours of quality instruction to you fingertips and we release new content every week. Don't waste your valuable time scouring the web for information you may never find or is cumbersome to use and potentially can't be trusted.

If you would prefer not to be prompted for reviews, please click here. Sample this tutorial This product is free for registered users. Register Now. Product Outline Reviews Author New Automation Nudge Functions Learn how to nudge automation nodes horizontally and vertically by key command. Non Destructive Region Normalize See how to non-destructively normalize gain on audio regions individually or in relation to selected audio regions.

Non-destructive Normalize All normalizes all selected regions relative to each other. Non-destructive Normalize Individually normalizes each selected region independently. There is now a preference setting in Logic to choose from among the available localizations.

Option-dragging to copy surround audio files. Multiple audio files with different sample rates than the project are dragged into the tracks area. Sometimes when the computer wakes from sleep. Alchemy opens an EXS instrument containing audio files that are 60 samples or less in size.

Importing from a different Alternative of the same project. Sometimes when previewing loops in the Loop Browser. Sometimes when switching between two open projects. After flattening a track stack and then clicking the Score editor tab in the Main window. When resizing the Score Set window.

Logic no longer hangs when a note of two bars or longer is recorded from Logic Remote. Performance It now takes less time to load a new instance of Alchemy.

The first note played into Alchemy no longer sometimes causes an unexpected CPU spike. Clicking cells in Drum Machine Designer is more responsive, and no longer sometimes causes audio crackles.

Logic no longer reinitializes Core Audio if the Plug-in Manager is closed without making any changes. Logic no longer sometimes takes an unexpectedly long time to load certain large projects. Logic no longer sometimes performs sluggishly in some projects with the Global Tracks displayed.

After the Split at Rounded Playhead Position command is used on notes in the Piano Roll or Score, the righthand note or chord is now deselected. Collapse view mode in the Piano Roll now takes the Region Transpose setting into account.

Rubber-band selecting notes in the Piano Roll no longer leaves them appearing to be selected, but not editable in certain rare cases. The Piano Roll velocity slider no longer sometimes disappears when the window is rapidly resized. A selected marker can now be deselected by clicking the background of the Piano Roll. It is again possible to rubber-band select MIDI Draw events in the Piano Roll when starting the selection to the left of the region start position.

Typed adjustments to the end position of a region in the Event Editor are no longer interpreted as the region length.

Clicking on the Additional Info line for an event in the Event List now triggers the event as expected. When playing back a Marqueed section of a region while the Audio File Editor is open and focused on that file, the playhead now remains visible in that editor after reaching the end of the section. In the Audio File Editor, adjusting the region start point, end point, or Anchor now creates an undo step. The Audio File Editor now reliably opens after it has been opened and then closed again with Option-double click.

It is again possible to use a controller keyboard to step input notes into a region before bar 1. Cables in the Environment window can now be deleted with the Delete or Backspace keys. When creating a new Fader object in the Environment, the Vertical 6 and Knob 6 styles are now available.

Names of objects placed in Environment Macros are now reliably visible and correctly positioned. Environment object names now remain visible when they are moved or copied. Numerically entering the denominator for a time signature in the list editor now results in the correct value. It is no longer necessary to click on a floating window to bring it into focus before double-clicking a parameter to edit it.

When a project is reopened, the Step Input keyboard now remembers the last used note length. Flattening a take folder that has been shortened now maintains the take folder length. Right-clicking on a closed MIDI take folder now brings up a contextual menu to select takes. The mute status of a take folder is now preserved when either Flatten or Flatten or Flatten and Merge is performed on it. The hot spots for clicking the controls on a Take folder now retain their correct positions in cases where the Take folder contains Apple Loops.

Editing a Take folder with the Scissors while recording another track with Punch on the Fly no longer causes an unexpected position shift of the take folder on the edited track. User named comps are no longer renamed to their default name when a different comp segment is selected in one of the Take folders on a set of grouped audio tracks.

Existing Take Folders are no longer shortened if a region is moved to an overlapped position while the Drag Mode is set to Overlap. Clicking on a flex-pitch note from a selected Take in the Audio Track editor no longer causes the focus in the Tracks area to be lost. Flex Logic Pro Slicing mode no longer causes the visible waveform to change on audio that is not stretched or compressed. The display range for a Flex Pitch enabled region is now properly maintained when switching from it to a MIDI Region and back again Splitting a Flex Pitch enabled region in the middle of a note no longer causes Flex Pitch to be reset for the region that is created to the right of the split.

Logic no longer shows an error message when playing back a track with Flex Time enabled that contains a series of very short regions each belonging to different audio files. Playback quality of flex pitched audio tracks is now consistent, no matter where along the timeline playback is started.

There is a new Flex Pitch option in the Track Parameter inspector for selecting how to treat unvoiced portions of the audio when formants have been edited. Drummer The Drummer Editor now immediately shows changes to the Drummer region color. Changing the preference for Clock Format no longer sometimes lengthens Drummer regions by one clock tick. Replacing a track stack with a single channel patch from the Sound Library now works as expected.

Duplicated Track Stacks no longer route to the Main Output instead of a properly duplicated Auxiliary. Using the Duplicate Track with Same Settings command on a track in a Summing Track Stack whose output has been changed no longer changes the output of both the original track and the duplicated track to the default Bus output for the Track Stack.

When a Track Stack is duplicated, the track colors are now duplicated as well. Marker Sets are now reliably deleted. Editing the border of multiple selected Markers now correctly adjusts all of them.

Moving markers during playback no longer causes clicks in the audio output. The color of a marker in the Marker List Editor now immediately updates when its color is changed in the Marker track. Markers in the Time Ruler no longer appear to overlap one another at certain zoom levels. Markers now properly move back to their original positions when Undo is used after performing Select All and then dragging. Performing Undo after making multiple edits in the Tempo List now steps back one edit at a time as expected.

Beat markers are now reliably placed at bar positions when Beats from Region is applied in the Beat Mapping track. Performing Undo after selecting a different name for an Arrangement Marker no longer deletes the marker instead of reverting to the previous name. Moving an Arrangement marker no longer disables the Match Groove Track option for tracks where it was enabled.

A long click on a tempo curve no longer causes it to shift a quarter note to the left. Movie track thumbnails are no longer unnecessarily regenerated when the movie track is toggled.

It is now possible to undo the creation of a transpose point in the Transpose track. Transposition values in the Transpose track now properly retain their values when moved as a result of changing the position of an Arrangement Marker. The output on a channel strip created by dragging a surround audio file into the Tracks area, or by extracting surround audio from a movie is now set to Surround as expected.

All Auxes with inputs assigned to the same bus now remain active when a channel strip outputting to that bus is soloed. Aux channels created by duplicating a channel in a multi-output Software Instrument now have the correct input. Automation Automation nodes are no longer unexpectedly duplicated when dragging regions in the Tracks area.

It is now easier to grab automation points without inadvertently moving them. There are now Key Commands to nudge automation values up or down. It is now possible to drag a newly created MIDI Draw point to its minimum or maximum possible value on the first try. Grabbing a selected group of Sustain events in the MIDI Draw view no longer causes them to unexpectedly change values. When recording Region Based Automation to an Output track, Logic now indicates it is creating a region while recording.

Editing Region Based Automation during playback no longer causes automation to jump to the wrong level after the playhead passes the end of the region. Trim Automation no longer works on protected tracks. Existing region based automation for a plug-in now continues to play back correctly when the plug-in is moved to a different slot in the channel strip.

Adjusting Smart Controls for a frozen track no longer writes automation. Automation for tracks deleted as a result of using the Delete Unused Tracks command is now properly recovered by Undo. Automation for plug-in parameters now reliably chases when sample accurate automation is on.

Alchemy Alchemy performance controls to which the mod wheel is assigned now show a dot to indicate they are receiving CC data from the mod wheel. Alchemy now remembers the last used folder location when loading user created IR files.

Emoji symbols now work properly for names and labels in Alchemy. Imported Alchemy AAZ data is now reliably retained when an auto-saved project is opened. Alchemy no longer produces a short click when the Attack envelope is set to 0. In Alchemy, canceling a second zone import containing multiple files no longer leaves some of the files added to the group along with additional empty zones.

The Glide knob in Alchemy now consistently displays Rate or Time value according to the option selected for that preset. When stepping through source files that are named after an oscillator, Alchemy no longer selects an oscillator and sets it to VA mode.

Alchemy's Convolution Reverb IR selection menu now shows a check mark next to the correct entry after another effect has been added to the Effects rack. When Alchemy imports a melodic Apple Loop, it now uses the key tag stored in the loop to set the root note. Alchemy now navigates correctly in folder structures in which a parent folder contains subfolders that have the same name as the parent folder. Performing Save As on an existing Alchemy preset no longer incorrectly applies that preset's attributes as a filter to the preset list.

When Alchemy imports an EXS instrument with only one group to a new group or zone in Alchemy, the resulting zones are now expanded to cover the full velocity range. When an AHDSR with a very short attack is assigned to an Alchemy amplitude control, notes played during the release phase of other notes no longer cause a click.

When a consolidated Logic project is copied to another computer, Alchemy no longer sometimes asks to locate missing assets. XFade XY morphs no longer affect sources that are not set to participate in the morph. Plug-ins The Microphaser now opens in Editor view as expected in projects originally created in Logic The Ensemble plug-in no longer sometimes produces crackling noises when both the LFO rate and Intensity are set to low values.

Autofilter again offers an LFO Retrigger switch. Right- or Control-clicking a pad in Drum Machine Designer now opens an icon picker.

Drum Machine Designer now remains visible when Logic Pro is not the active application. Instantiating Drum Machine Designer now opens the plug-in interface. Inserting a kit piece from the library into an empty Drum Kit Designer patch no longer replaces the entire patch with the kit piece. Loading kit pieces into the cells of the Empty Kit template now behaves as expected.

The Tuner now works when an External Instrument track is selected. Hold is now independent for the Analyzer, Goniometer and Level Meter sections of the Multimeter plug-in. The controls panel at the bottom of the Multimeter plug-in can now be hidden. When Hold is enabled, the Multimeter plug-in now continues to reliably display peaks until playback is started again or the graph is clicked.

In the Multimeter plug-in with Hold enabled and Peak set to infinite, the peak indicators remain visible during playback when a period of silence is encountered in the track or song. Ultrabeat no longer unexpectedly changes to Step Sequencer mode when the Command and Option keys are pressed while the plug-in window is open. Delay compensation for the Pitch Shifter plug-in is now reliably calculated. The graph in the Bit Crusher plug-in now remains visible when the window is closed and then re-opened.

Instruments created with the Scripter plug-in now pass settings from unknown MIDI processors through. Plug-in presets can now be reliably opened using the Load command from all Logic plug-ins.

Plug-in sidechain assignments are now properly maintained when duplicating a track.